“I’d been familiar with Mary Pratt’s work and knew, of course, of the Wicker Chair painting. I didn’t recognize her initially but my colleague…said ‘Do you know who that is?…Then she said to me, ‘You should paint Donna.””
An introduction by a colleague to the woman painted by Mary Pratt for Girl in Wicker Chair leads Louise Kermode to an award-winning portrait for The Kingston Prize.




